That hard and soft balance only existed in Humble Pie during Frampton’s tenure, which ended in late 1971 when he left to go solo. With Frampton (talkbox-free) at the mic however, Humble Pie’s music took a more pastoral and melodic sound. They had a Stones-like swagger, a Zeppelin-level heaviness, and a harder-edged blues rock approach which led Rolling Stone to describe their debut album as “heavy metal,” one of the first times that term had ever been used. This first incarnation of Humble Pie (and there turned out to be many) boasted three-lead vocalists, four songwriters, and ultimately, five well-reviewed albums. Nowhere is that more evident than in his work with Humble Pie.įrom January 1969 to November 1971, Humble Pie rocked the British music scene, and Peter Frampton was a pivotal reason for that. It’s impossible to turn on a radio, walk into a Kmart, or hell, exist without hearing those iconic live versions of “Show Me The Way,” “Baby I Love Your Way,” and “Do You Feel Like We Do?” However, despite extreme “Comes Alive” saturation, the guitar legend has a musically diverse, varied career. If you know Peter Frampton best for his seminal live album, “Frampton Comes Alive,” it’s hard to blame you. (The remaining Small Faces joined up with Rod Stewart and Ronnie Wood, then dropped the “Small.”) The premature demise of one group gave birth to two, as Steve Marriott was now free to team up with Frampton, Spooky Tooth bassist Greg Ridley, and 17-year-old drummer Jerry Shirley, and one of rock’s first supergroups was formed. The Small Faces divorce was cemented when Steve Marriott walked out of a gig mid-jam on New Year’s Eve, 1968. An invitation was extended to his pal, teen heartthrob guitarist for British pop outfit The Herd, Peter Frampton, to sit in with the Small Faces for a gig to spice things up. ![]() ![]() Guitarist and singer Steve Marriott was growing bored with his band, the Small Faces.
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